Marshall Amplification Recording Equipment

Original Marshall roar. The 1959HW is a handwired reissue of a ... more

Original Marshall roar. The 1959HW is a handwired reissue of a circa 1967 100W Superlead head. Since 1967 when the JMP (Jim Marshall Products) Plexi panels were introduced, the Superlead head has been the benchmark for all-tube distortion and tight crunch. Tube lineup includes 4 EL34s in the power section and 3 ECC83s in the preamp. True bypass effects loop, 3-band EQ, and presence control. less

Big Marshall tone. Delivers a dynamic yet toneful punch. 100W p... more

Big Marshall tone. Delivers a dynamic yet toneful punch. 100W power. 2 channels (footswitchable­). Digital effects including reverb, delay, chorus, and flange. FDD (Frequency Dependent Damping). CD ins, plus emulated line out, and emulated headphone jacks. 25"W x 14"H x 12"D. 39 lbs.. less

Due to public demand, Marshall is offering authentic, handwired... more

Due to public demand, Marshall is offering authentic, handwired re-issues of some of their most respected and sought-after amplifiers. Marshall is launching this exciting series with two heads, a combo and four, hand-soldered extension cabinets. The Marshall 2061X is a handwired re-issue of a model 2061 (originally produced from 1967 to 1973): an less

The Marshall re-issue range consists of the 100 Watt JCM800 220... more

The Marshall re-issue range consists of the 100 Watt JCM800 2203 , 100 Watt 1959SLP head, the 50 Watt 1987X head, the 2245 (JTM45) head and 1962 'Bluesbreaker' combo. All are faithful reproductions of the originals, which shaped the sound of the electric guitar as we know it. The main characteristic that these amps share is their simplicity of less

KT66 power tubes. "Frequency selective" pre-amp volumes. Low an... more

KT66 power tubes. "Frequency selective" pre-amp volumes. Low and High "dynamic ranges.", The 2466 100-watt head is an all-valve, single-channel amplifier with a choice of 2 "dynamic ranges" selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the 70s. Add to this, the ab... less

Marshall 2203KK Kerry King Signature JCM800 Guitar Amp Head. 10... more

Marshall 2203KK Kerry King Signature JCM800 Guitar Amp Head. 100W valve head. 4 KT88s in the power stage. 3 ECC83s in the preamp. Master Volume. Preamp Volume. Standby Switch. True bypass series FX loop. 3-band EQ. Presence control. "The Beast" Boost. Gate Threshold. Assault Intensity. Jim Marshall and Kerry King signatures on control panel. Made in England. less

Marshall : Guitar Amp Heads | Buy your AVT150 Guitar Amp Head a... more

Marshall : Guitar Amp Heads | Buy your AVT150 Guitar Amp Head at Samash.com. We offer financing options! The best value-for-money range of Marshall amplifiers ever made, providing dynamics and feel worthy of a place in the Marshall hall of fame! The AVT150H is the head version of the AVT150 and boasts the same features and facilities as it's combo brother. This includes the excellent 'Scoop' facility. On the Overdrive 1 channel this radically scoops the mid frequencies whilst tightening the bass less

The Marshall JTM45 Amp Head is a meticulous reproduction of Jim... more

The Marshall JTM45 Amp Head is a meticulous reproduction of Jim Marshall's first amplifier. The classic JTM45 is now accessible to all who enjoy its glassy, clean tone and fluid, warm sustain. By including GZ34 valve rectification, as found in the original, Marshall has ensured a faithful recreation of the JTM45's glorious sound. The GZ34 rectifier valve interacts with the rest of the valves causing subtle harmonics to shift and smolder beneath every note you play. less

100-Watt valve head. Valve complement: 5 x ECC83 (12AX7s) in pr... more

100-Watt valve head. Valve complement: 5 x ECC83 (12AX7s) in preamp, 2 x EL34s in power amp. 4 independent, footswitchable channels-Clean, Crunch, OD1 & OD2. Each channel boasts 3 footswitchable modes Green, Orange & Red. Studio quality, footswitchable digital reverb with level controls for all 4 channels.. 2 footswitchable master volumes. Two FX loops Series/Parallel & Parallel. Series/Parallel FX loop is footswitchable. Emulated line out. 6-way, 7-LED footswitch with memory capabilities (UK... less

100W power. All-valve, with 5 x. 12AX7s and 4 x EL34s. 2 totall... more

100W power. All-valve, with 5 x. 12AX7s and 4 x EL34s. 2 totally independent, footswitchable channels. Each channel has 3 footswitchable modes. Footswitchable, studio-quality digital reverb. Independent reverb controls for each channel. 2 footswitchable master volumes. 2 FX loops, one series, and one parallel. Parallel FX loop is footswitchable on/off. Speaker emulated XLR output. 4-way footswitch (with memory) supplied. All switching can be done via MIDI. Made in England. less

50W power. All-valve, with 5 x. 12AX7s and 2 x EL34s. 2 totally... more

50W power. All-valve, with 5 x. 12AX7s and 2 x EL34s. 2 totally independent, footswitchable channels. Each channel has 3 footswitchable modes. Footswitchable, studio-quality digital reverb. Independent reverb controls for each channel. 2 footswitchable master volumes. 2 FX loops, one series, and one parallel. Parallel FX loop is footswitchable on/off. Speaker emulated XLR output. 4-way footswitch (with memory) supplied. All switching can be done via MIDI. Made in England. less

100W valve head. 4 KT88s in the power stage. 3 ECC83s in the pr... more

100W valve head. 4 KT88s in the power stage. 3 ECC83s in the preamp. Master Volume. Preamp Volume. Standby Switch. 3-band EQ. Presence control. "The Beast" Boost. Gate Threshold. Assault Intensity. Jim Marshall and Kerry King signat